- HOW TO MAKE AVCHD COLLECTION INTO INDIVIDUL VIDEO CLIPS HOW TO
- HOW TO MAKE AVCHD COLLECTION INTO INDIVIDUL VIDEO CLIPS MOVIE
However, the nature of the S-Log2 curve brings two challenges you need to be aware of: I have not had any banding or posterization. The footage holds up well “under limits”. If you don’t want to take the trouble, then don’t buy the Sony A7s or don’t record in S-Log2. To truly understand S-Log2, you’ll need to read my notes from Part Five and understand the fundamental differences between: A complete visual representation of the filmmaking process from beginning to end.
HOW TO MAKE AVCHD COLLECTION INTO INDIVIDUL VIDEO CLIPS HOW TO
Let’s look at that next.Įxclusive Bonus: Download your FREE Blueprint: How to make a movie.
The ‘complication’ in the editing workflow for the Sony Alpha A7s comes in the grading. Prores HQ is good enough for any kind of editing project, even cinema. Here, it might be a good idea to use another codec for acquisition, maybe XAVC (it supports 4K).
HOW TO MAKE AVCHD COLLECTION INTO INDIVIDUL VIDEO CLIPS MOVIE
If you’re shooting a 90 minute movie with a shooting ratio of 10:1, you’ll have 6 TB of footage.If you’re shooting a 5 minute project with a shooting ratio of 20:1, you’ll have 100 minutes of footage, or 660 GB.Therefore, real-time editing and playback demands RAID 0 (at least 3-4 drives) or an SSD via USB 3.0 or Thunderbolt. Even a fast 7,200 rpm drive will suffer when you add titles, grades, etc. Even a portable 2.5″ platter drive via USB 3.0 delivers 65 MB/s or about 10 streams of 50 Mbps XAVC in 1080p.Īs far as 4K is concerned, the story is different. You will never need more than one hard drive (no need for RAID 0) for real-time playback. No matter which NLE you choose, editing Sony A7s footage is a breeze. Avid Media Composer 7 via the Sony PDZK-MA2 plugin.Apple Final Cut Pro X 10.0.x via the Sony PDZK-LT2 plugin.
Here’s a list of NLEs that support XAVC S, AVCHD and MP4: Even if I wanted to create dailies on the fly, I’d prefer H.264 in 1080p. The camera does allow dual recording, though I’m not sure why anyone would use that. Not only is editing easier with XAVC S, it also offers the highest data rate and most robust video file to push in post production. In this final part, we’ll study the post production options and challenges in dealing with both 1080p and 4K footage.Īs mentioned earlier, I would never use any codec other than XAVC. In Part Seven we looked at the cost of putting together a Sony Alpha A7s kit.